I have to say that I found this year to be a bit lackluster in its musical offerings. It may have just been a lack of effort on my part. I promise to do better next year. I can, however, guarantee that my list is better than Rolling Stone’s even though we share a few picks. Why? The Jonas Brothers and The Academy Is… are on the RS list. That actually has me rethinking the entries on my list that are also on theirs (although the TAI… album was actually OK). Whatever…
Old School:
Here are some older releases that received plenty of play by me this year:
The Clash – London Calling
Joe Strummer and the Mescaleros – Streetcore
Miles Davis – Bitches Brew
Santana – Santana
Elvis Costello – Trust
The Beatles – Magical Mystery Tour
Also receiving votes:
No pictures for these guys!:
Jimmy Eat World – Bleed American [Deluxe Edition]
Yeah, this is a cheat, but this is a rare re-release that is worth the cash featuring 18 b-sides (including Last Christmas, Firestarter, and (Splash) Turn Twist) and a new version of “Your House.”
The Foxboro Hot Tubs – Stop Drop And Roll
Just make a new Green Day album already!(!!) This actually made for a pretty good retro-punk diversion in the summer, but I want the real thing.
Styrofoam – A Thousand Words
Euro-electro-pop never sounded better. Bright Red Helmet almost sounds like it could fit on Clarity, and one track even features Mr. Jim Adkins, eater of worlds.
Alkaline Trio – Agony & Irony
Woo, summer album.
Millencolin – Machine 15
Pop-punk has come a long ways since the `90’s (sort of). Millencolin hasn’t, but that’s not necessarily a bad thing.
Panic At The Disco – Pretty. Odd.
Don’t judge me! I’d rather these guys be emulating The Beatles than Fall Out Boy, but a song on this album has just as much a chance as being painfully boring as it does being a valid channeling of the `60’s. There’s some impressive instrumentation here, assuming the band actually played everything themselves (doubtful).
Jason Mraz – We Sing, We Dance, We Steal Things
Yeah, I listen to Jason Mraz sometimes. So what?
Weezer – Red Album
I really like half this album and really hate the other half. “Everybody Get Dangerous” is handcuffed-to-Fran-Drescher painful.
Favorites:
15. Murder By Death – Red Of Tooth And Claw
Americana Indie Rock
“By the light of the moon, I’m coming home/Howling all the way, I’m coming home.”
I’m not even sure how to label this band’s style (I stole the genre listing from their Myspace page). Imagine Johnny Cash singing songs about slaughtering people in the old wild west in a rock band playing the soundtrack to The Good, The Bad, And The Ugly. That’s about as close as I can get. ROTAC is one of those albums where I love it sometimes and then other times I just can’t seem to get into it. That’s the only reason why it isn’t higher on this list because the quality of the music itself is pretty high. Dare I say this is my favorite cello-punk band?
Best Tracks:
Comin’ Home
Rumbrave
Spring Break 1899
14. British Sea Power – Do You Like Rock Music?
Rock
“Beer is not dark/Beer is not light/It just tastes good/Especially tonight.”
Terrible album cover. Worse band name. Even worse album name. The music? Pretty good! While the similarities to U2 are pretty unmistakable (I’ll let you decide if that’s a good thing or not. Remember, Bono isn’t involved here at all!), the music seems considerably more chaotic (in a good way). The downside to that is that when the band doesn’t seem on the cusp of complete musical anarchy, all else seems to blend together (in a bad way). This band is clearly better when it’s just going nuts.
Best Songs:
Lights Out For Darker Skies
Waving Flags
Atom
13. Jack’s Mannequin – The Glass Passenger
Pop
“And even if your voice comes back again/Maybe there’ll be no one listening/And even if you find the strength to stand/It doesn’t mean you won’t go missing.”
This is maybe the best “disappointing” album of the year for me. It’s not even disappointing; it just fails to live up to the classic album that precedes it on JM’s discography. This was one of my most anticipated albums of the year and it certainly has a fair share of high points, mostly dealing with frontman Andrew McMahon’s battle with leukemia. The tone is understandably a bit more downtrodden than Everything In Transit, which is basically the perfect summer album. However it’s impossible to miss the optimism that is still strung into every song even when dealing with heavy issues.
Best Songs:
Crashin
Bloodshot
Hammers and Strings (A Lullabye)
12. Ben Folds – Way To Normal
Piano Pop
“If there’s a God, He is laughing at us and our football teams.”
Until now, most of my exposure to Ben Folds was his song featured on the Godzilla soundtrack from back in the day. I’m not sure if that statement speaks more ill of my music tastes in 1998 or now. I’ve listened to him here and there, but this is the first album of his that I’ve actually given a good amount of listening to. It’s eclectic, fast paced, odd, and frankly, all over the place, but it’s because of that weirdness that I really dig it.
Best Songs:
Hiroshima (B B B Benny Hit His Head)
Bitch Went Nuts
Effington
11. Brave Saint Saturn – Anti-Meridian
Astro-Rock
“And these frail hands/They tremble as they pen for us their last/And these weak words/Can never say what cannot be surpassed.”
So apparently this album isn’t never happening after all. I don’t think I’m overstating it when I declare this album the Chinese Democracy of Christian astro-rock. It’s been five years since BSS’s last release and I had long since moved on from hoping that they’d complete their space trilogy, so when I learned that this album was in the works I greeted it with a big fat, “Meh.” While it was great to hear the voice of Five Iron Frenzy again, my first listen could pretty much be summed up with the same word. Then one-by-one songs started to grab me until I one day realized that I liked this album quite a bit. There are plenty of throwaway tracks here for me and I’d still take new FIF over this any day, but this was a pleasant surprise for me.
Best Songs:
Mercenary
Starling
Hero’s Homecoming
These Frail Hands
10. Coldplay – Viva La Vida Or Death And All His Friends
Pop
“I hear Jerusalem bells-a-ringing/Roman calvary choirs are singing/Be my mirror, my sword and shield/My missionaries in a foreign field/For some reason I can’t explain/I know St. Peter won’t call my name/Never an honest word/And that was when I ruled the world.”
I’m not nearly familiar enough with Coldplay’s previous discography to really compare this with their previous works, but I do know that this is their first release that really grabbed me. I think the fact that I heard “Viva La Vida” about 6,000 times over store intercoms in June alone backs me up on that one. VLVODAAHF (as I assume it’s known to their fans), reminds me a lot of my favorite album last year, Arcade Fire’s Neon Bible, in both tone and theme. The instrumentation is just as lush, however it does lack the epic qualities that I felt with Neon Bible. As I said, I never really listened to Coldplay much, but this album made me a fan.
Best Songs:
Lovers In Japan/Reign Of Love
Yes
Viva La Vida
9. Gaelic Storm – What’s The Rumpus?
Celtic/Folk
“The closest I’ve come to ending up dead/Was the night that I punched Russell Crowe, the Gladiator, in the head.”
This band has somehow flown under my radar until this year. Unlike Dropkick or Flogging Molly, this is just a flat out Celtic band with no hints whatsoever of a punk influence (even though they actually hail from Los Angeles). The band that made its public debut as the steerage band in Titanic mainly plays upbeat, humorous songs, but it isn’t afraid of to occasionally tell a serious story and even has a healthy dosage of instrumental tracks.
Best Song:
What’s The Rumpus?
Slim Jim And The Seven Eleven Girl
Floating The Flambeau
The Night I Punched Russell Crowe
8. Flogging Molly – Float
Irish Punk
“Drink away the rest of the day/Wonder what my liver’d say/Drink/That’s all you can.”
Every year there seems to be one album where I look at where I placed it, can’t believe it’s so low, and double check to make sure I didn’t screw up only to find out that I can’t justify knocking down any of the albums above it. This is that album for 2008. It wasn’t always that way as I was initially a little disappointed with Float coming on the heels of the much punkier Within A Mile Of Home. After adjusting to the folkier Float I’ve realized that not only is it better than Within A Mile Of Home, it may very well be my favorite Flogging Molly album to date.
Best Songs:
Float
The Lightning Storm
Punch Drunk Grinning Soul
7. Fall Out Boy – Folie à Deux
Pop
“And does your husband know the way that the sunshine gleams from your wedding band?/I will never end up like him/Behind my back I already am/Keep a calendar this way you will always know/The last time you came through.”
After Infinite On High, I figured that I was all but done listening to this band on a regular basis. There were a few standout tracks, but the majority of the songs were quite disposable. When “I Don’t Care” was released as the single for this album, I thought I might be done altogether. Then I listened to it again. And again. And, damn it, this is just the best band ever at making songs that I like even though I know I shouldn’t. Listening to the first half of FAD for the first time, I thought this might actually be the best album they’ve made to date. Unfortunately, there’s a bit of a drop off in the second half, but this is still a step back in the right direction for them. There are also some bizarre forays into politics from time-to-time. Now, I don’t mind some liberal lyrics (I’d be a country fan if I did), but there are some bands that should seriously just shut up and play. FOB belongs in the latter category. If you wear guyliner, I really don’t care about your opinion on the geopolitical challenges of the day.
Best Songs:
Disloyal Order of the Water Buffaloes
I Don’t Care
Headfirst Slide Into Cooperstown On A Bad Bet
What A Catch, Donnie
6. Brian Wilson – That Lucky Old Sun
Pop
“Up in the morning/Out on the job/I work so hard for my pay/But that lucky old sun has nothing to do but roll around heaven all day.”
This year seems to be a year for the old folks to rediscover their groove. I’m not a huge Beach Boys fan per se, but Pet Sounds is inarguably one of the greatest albums ever recorded. That Lucky Old Sun is not a towering achievement comparable to Pet Sounds, but it is impressive and that’s even before you consider that Wilson is 66 years old with a fried brain from his `60’s drug usage. TLOS is a wistful look back at Wilson’s youth in California with mentions here and there of the mental breakdown that postponed the release of Smile for almost four decades. It doesn’t seem like there’s a linear story being told here, but almost all the songs run into each other, sometimes connected by a spoken word narrative. If there’s a criticism to be found here, it is that the songs at times seem a bit too trite and sappy, but that’s kind of the point of a 60-year-old singing about his 20s in southern California, right? That said, even in his 60s Brian Wilson’s pop sensibilities remain unsurpassed.
Best Songs:
Good Kind Of Love
Forever My Surfer Girl
Going Home
Southern California
5. Kay Kay And His Weathered Underground – Kay Kay And His Weathered Underground
Psychedelic/Indie
“I got a tendency to go and run my mouth/Cause I can depend on no one else/I’ve got my living costs and a bumper sticker that reads ‘All who wander are not lost.’”
Honestly, if this were an objective list rather than having my own personal biases factored in, this would be at the top of the list. Kay Kay is the only thing that remains of the once powerful Gatsbys American Dream empire. You can certainly hear the Gatsbys influences, but this band is primarily psychedelic with only a dab of the GAD craziness. I’d say it’s like The Beatles on acid, but The Beatles were on acid. This is Kay Kay’s debut studio album, but the band initially released a live recording last year, which comprises the bulk of the first half of this self-titled album. Perhaps for the reason of lesser familiarity, I feel the second half is inferior to the first half. However, whatever negatives can be found in this album are more than made up by the incredible instrumentals and melodies to be found here. Definitely one of the year’s best, and the band’s forthcoming release should be right back up there next year from what I’ve heard of it so far.
Best Songs:
Hey Momma
Birds (On A Day Like Today)
Simon Courage Flees The Coop
All Alone
4. Less Than Jake – GNV FLA
Ska-Punk
”Cause I know I’ve wasted way too many times/Living way too many lies/How can this be my fault?/I’m always right/There’s a devil in my DNA/Programmed parts from all the starts/Or is there no one else to blame for my tangled up gears and turnstile jobs?/Fact is I’m just a living sum of all my parts.”
Wow. This is a band that responds well to criticism. I’m an LTJ fanboy, so I’ll listen to anything they put out (except maybe Greased), but I have to admit that I’m glad so many people hated In With The Out Crowd, because the result is the band starting their own label and producing their best album in a long time. This was my official summer driving album and after almost a decade where each successive album seemed a little poppier and a little less horny, it’s great to hear 14 new horn-driven punk songs. I don’t think too many people would list this as their favorite LTJ album, but it is the first time since 2003 that Less Than Jake has sounded like Less Than Jake and that’s enough for me.
Best Songs:
Does The Lion City Still Roar?
Golden Age Of My Negative Ways
This One’s Going To Leave A Bruise
Devil In My DNA
3. The Hold Steady – Stay Positive
Bar Rock/Indie
”Raise a toast to St. Joe Strummer/I think he might have been our only decent teacher/Getting older makes it harder to remember we are our only saviors/We’re gonna build something this summer.”
This band is also the maker of one of the best albums of 2006, Boys And Girls In America; I just didn’t know that at the time. The Hold Steady is way more Springsteen-ian than I am typically used to, so it took me a little while to get into them, but once I did I fell in love with both BAGIA and this year’s Stay Positive. SP features more instrumental experimentation than their previous efforts, but the band still stays true to its rock roots and lyrical storytelling. If you can get past the vocals, this album is full of great “sing-a-long songs.”
Best Songs:
Constructive Summer
Sequestered In Memphis
Stay Positive
Magazines
2. Elvis Costello And The Imposters – Momofuku
New Wave
”The night is black as cracked shellac that landed in an attack/Stella is silent as the grave until a needle drags her through the static/Don’t bring me down/I’m trouble bound/Blue song red alert/Who made Stella hurt?”
I’ve long been a fan of Costello’s early work, but this one came out of nowhere to totally rock me in a way I was not anticipating. It’s hard not to admire EC’s eclectic discography as he’s dabbled in almost every major genre (gangsta rap has remained curiously untouched), but for years I’ve wondered why he can’t be bothered to occasionally throw in an album that sounds like he did in the `70’s. This is that album at long last. I’m betting this is the first time I’ve said this about any artist and probably the last: this is his best album in 25+ years since 1982’s Imperial Bedroom. Since IB came out 3 weeks before I was born I’ve basically been waiting for this my whole life. Released “only on vinyl” (for two weeks), this was clearly meant to be a throwback and it succeeds entirely. The keyboard is back, the punchy lyrics are back, and most importantly the fun is back. There are solid reflective tracks here too, but the upbeat songs are clearly the highlight. American Gangster Time, which is basically an anti-American screed, is infectious enough to make even me want to sing along. I’ll probably enjoy whatever direction Costello chooses to go next as well (perhaps polka-country?), but I do hope he starts releasing these old-school rock albums with increased frequency.
Best Songs:
American Gangster Time
Harry Worth
Stella Hurt
Pardon Me Madam, My Name Is Eve
1. The Gaslight Anthem – The `59 Sound
Rock/Punk
“Did you hear the `59 Sound coming through your grandfather’s radio?/Did you hear the rattling chains through the hospital walls?/Did you hear the old gospel choir when they came to carry you over?/Did you hear your favorite song for one last time?”
I’ve got to admit that I only started to listen to this group because I thought their band name was cool. Needless to say, I think their music lives up to their name. The `59 Sound is a significant departure from TGA’s solid debut album, Sink Or Swim. Replacing the gruff punk rock of the latter is nostalgic, country-inspired lyrics fused with echoey 80’s-like vocals (think The Killers – but not painful to listen to), and pop-punk melodies. While it would be a stretch to call this album patriotic outright, it’s refreshing to hear music in this genre that is so inspired by Americana. Unlike my favorite album last year, The `59 Sound probably won’t be winning any Grammys, winning over the pretentious among us, or even topping other similar lists, but to me this album still feels as fresh and invigorating now as it did the first time I listened to it many months and spins ago. In a year of much musical parity with no clear personal favorite, that’s enough for me to give it the top slot.
Best Songs:
The `59 Sound
High Lonesome
Miles Davis & The Cool
The Patient Ferris Wheel
The Backseat